Natalie So chats with Minna Choi, the founder and artistic director of Magik*Magik Orchestra. by Natalie So Minna Choi never set […]
Read moreWomen and Words: Vol. 1, On “Ambitious” Fiction
How our critical terminology prevents women writers from accessing the highest echelons of literary recognition. by Emma Winsor Wood There is […]
Read more2.5 Minutes With Joanna Walsh
As far as campaigns go, #readwomen2014 has been a long time coming. U.K.-based writer and illustrator Joanna Walsh launched it in […]
Read moreMoving Pictures
by Christine Benvenuto Once upon a time I misunderstood transsexuality as symptomatic of psychic damage. That is, that unhappy families might […]
Read moreFive Women Who Inspired Me at True/False
by Paige Pritchard The True/False Documentary Film Festival is consistently one of the best weekends of my year. It occurs during […]
Read moreMoving Pictures: A Trailer
Author Christine Benvenuto previews her upcoming longform piece about transgender portrayals in film and media. Sometimes the best thing we can […]
Read moreAn Open Letter to The New Yorker
Dear readers, This is an open letter to The New Yorker. We wrote it as an extended reaction to Lucky Peach‘s […]
Read moreEchoes of Echoes: Exploiting the temporary nature of walls
I am almost fully certain that I am soulmates with a dead person. His name, fittingly, is Sol. Sol LeWitt, 1928-2007, […]
Read moreOutskirts: Going Graphic
One day, I had to be between the ages of 8 and 10, my dad decided to take me to the […]
Read moreThe Score is Still Uneven: Lucky Peach’s “The Gender Issue”
“Anyway, this issue is a shot at evening the score a little: it’s been divided into men’s and women’s parts. This […]
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